BUYER'S GUIDE: The Best Synths Under $1. BEST OVERALL SYNTH UNDER $1. The Moog Sub Phatty. WHY WE LOVE THE MOOG SUB PHATTYMoog Sub Phatty Editor’s Pick For Best Overall Synth Under $1. The Sub 37 Editor. The Sub 37 should have been shipped with a software editor, but the chaps at Moog are still working on it and, at the time of writing, there wasn. The manuals list of Synti Groep Below you find a full summary of all the owners manuals, service manuals, schematics and other documentation we have available of. Occupying the middle ground in Korg's MMT lineup between the flagship Radias and the ultra-portable microKorg XL, the R3 delivers sophisticated virtual analog power. WHY WE LOVE THE NOVATION BASS STATION II. To start, what’s not to love about an analog synth under 400 bucks? The Novation Bass Station II is the spiritual. President Trump held a rally on Tuesday night in Phoenix, whipping the crowd into a frenzy and denouncing the media between chants of “lock her up.” Trump even. Well, to be blunt, we think the Moog Sub Phatty is the best damn synth you can buy for under a thousand bucks. How’s that? Hands down, when you put everything together and add it up (sound, features, feel, usability, flexibility, price) we can’t find another synth, especially an analog synth, that can touch it in this price range. ![]() Roland has resurrected their SH-series of synthesizers with the SH-201, an analog modeling synthesizer that's both fun and easy to use with plenty of features and. ELECTRONIC EQUIPMENT, MANUALS, COMPONENTS, ETC MILITARY~AMATEUR~COMMERCIAL~ETC. Updated 7/01/16. Email: [email protected].
Here are a few things we love, after testing out the Moog Sub Phatty for several weeks. For starters, the variable wave form selector on both oscillators is fantastic, allowing you to continuously sweep from triangle all the way to pulse width, and everything in between. And it’s smooth as butter, allowing you to accurately dial in the exact waveform(s) you desire, detuning them ever so slightly using the frequency knob, and then adjusting the amazing 4- pole ladder filter Moog is so famous for to make the final sound mega- beefy. Toss in a sub- oscillator an octave below oscillator one, and you find out pretty quickly where the “sub” in Sub Phatty comes from. Everything about the Sub Phatty feels high- end – from the tank- like construction, to the heavy- duty pitch and mod wheels, down to the front panel buttons and knobs, and the excellent semi- weighted keybed. In fact, we loved the feel of the Sub Phatty so much it became our go- to MIDI controller for a while (and that’s not even really what it’s meant for). Speaking of MIDI, every knob you see (while providing real- time panel controls) can also transmit MIDI CC data, making this a pretty kick- ass MIDI machine on top of its status as a pretty kick- ass analog synth. WHY YOU SHOULD BUY THE MOOG SUB PHATTYIf you’re looking for the flat- out best sounding synth, and your budget is under $1. If money is even tighter, you can get almost all the way there with a MIDI keyboard controller and the Moog Minitaur, but trust us, once you fall for the Sub Phatty, you’ll be hooked. PROS: Every single thing about it is amazing. CONS: Yeah, right. PRICE: $7. 89. MOOG SUB PHATTY SPECS: Sound Engine: Analog. Number of Keys: 2. Type of Keys: Semi- Weighted. Other Controllers: Pitch Bend, Mod Wheel. Polyphony: Monophonic. Sound Sources: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Noise Generator. Mod Sources: Triangle, Square, Saw, Ramp, SH, Filter Envelope. Mod Destinations: Pitch, Osc 2 Pitch Only, Filter, Waveshape. CV/Gate Inputs: Filter CV, Pitch CV, Volume CV, KB Gate. LFO: 0. 1. Hz- 1. Hz. 2. BEST BOTTOM END SYNTH UNDER $1. Novation Bass Station IIWHY WE LOVE THE NOVATION BASS STATION IITo start, what’s not to love about an analog synth under 4. The Novation Bass Station II is the spiritual successor to the original Bass Station that came out in the ’9. While we dug the old black and blue box back in the day, we love this one even more. Controls are simply laid out, which is great, and the preset bank is thankfully not only usable, but also easy to program. The real meat, though, is in the oscillator section. While we loved the Moog Sub Phatty for its beefy sound, we went absolutely bananas for the sub- oscillator on the Bass Station II. Why? Simple – you can choose between one octave below or TWO octaves below, resulting in bass lines so deep you would swear Deadmau. In all seriousness, though, the Bass Station II provides a lot of unique features, considering many units at this price point try their best to be Moog clones or one- trick ponies. One touch we really dug in our hands- on test was the filter section. You’ve got a classic filter, which can be set up just how most of us like it: 4- pole 2. B low pass. But if you want to get adventurous, we recommend flipping the switch to the Acid Filter, and letting your ears dig the subtle timbral changes you can affect by making the filter high pass or band pass, and experimenting by going between the 2. B and 1. 2d. B settings. Novation Bass Station II top view. Besides the unique filter options, the pretty decent oscillators and the nice aftertouch on the keybed itself, we were pleasantly surprised to find a board in this range that had a useful arpeggiator and simple step sequencer on board. If we had to lodge a complaint, it would be the same thing that held us back from absolutely falling head- over- heels for the original Bass Station, and that is that the construction leaves a bit to be desired. It’s not flimsy, per se, but it’s definitely not as rugged as we would have liked. The overall feel is a tad plastic- y, and there’s a bit of wobble to the knobs and switches. Not a major gripe, but worth noting if you plan on making this a road warrior. WHY YOU SHOULD BUY THE NOVATION BASS STATION IIIf you want to jump into the world of analog synths, but don’t want to spend a fortune, the Novation Bass Station II might be perfect for you. Or if you want a dedicated bass- line machine with the flexibility to be a solo lead monster. Great for electronic music production and live electro sets. PROS: Unique filter section, great presets, fantastic sub oscillator, tons of modulation options, great price. CONS: Feels about as rugged as its predecessor, which is to say not very. PRICE: $3. 99. NOVATION BASS STATION II SPECS: –Analog synth: brand new version of the classic Bass Station–Two distinct analog filters: brand new “Acid” filter joins the “Classic” original Bass Station filter–Ships with 6. Pattern- based Step Sequencer and Arpeggiator–Layout includes dedicated controls for all major parameters–Two Oscillators plus an additional Sub Oscillator–Flexible modulation featuring 2 Envelopes and 2 LFOs–MIDI I/O and USB connectivity. MOST VERSATILE SYNTH UNDER $1. KORG Minilogue Analog Synthesizer. WHY WE LOVE THE KORG MINILOGUETo say we were impressed with the Korg Minilogue at NAMM would be a bit of an understatement. And after playing with our own hands- on, we were left scratching our heads. All this, and it’s under $5. Analog engine? Check. Polyphonic, up to four voices? Check. Built in 1. You got it, dude. Wood paneling? Now you’re speaking my language! But really, what you get with the Minilogue is nothing short of amazing. You have instant access to a few really cool modes, starting with true 4- voice polyphonic, duophonic for the Odyssey heads (worth noting that KORG also makes the new ARP re- issues), a neat unison mode, monophonic mode for the Moog junkies, chord mode for…well, duh, arpeggiator mode and something we’ve never encountered before: side chain mode, whereby the amplitude of the previous note you’ve played goes down when you strike a new note. It’s actually pretty cool, and each mode allows layering so that you can really fine- tune your patches to the nth degree. KORG Minilogue. Build quality was great – no wobbly knobs to speak of, and the unit itself is substantially constructed. The metal face plate looks futuristic, but still employs an easy- to- follow panel configuration. Those looking for a standard pitch/mod wheel set up will have to get used to a little “wiggle stick” (our term, not theirs), but since it’s located in such a good place on the panel, it actually lends itself to being used in a musical way, unlike the proportional pitch pads KORG has to use on the Odyssey re- issues (which never really worked all that great on the originals, anyway). All that said, we dug the two oscillators on the Minilogue; each provided a unique set of selectable waveforms that were great for solos, bass lines as well as pads, and the LFO and modulation routing options were actually a bit more flexible than we imagined they would be, offering a pretty wide range of mod options that are intelligently presented and can add a real sense of depth and texture to boring old waves.
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